Sunday, June 28, 2026

Professional widow

Tori Amos - Boys for Pele (1996) ***

Nominated by: Tom  

Music club: MNAC

MNAC playlist addition:  In the Springtime of his Voodoo.

I'm not sure where to start with this album, Tom. Maybe with an admission that I have no idea what she's on about. That starts with the album title, Boys for Pele, and the cover image. That title isn't a song title so it must be a personal reference of some sort, but who knows what. The cover points to Tori having just killed what may be a peacock or a pheasant. She's been out in the mud barefoot and now she's reclining with a rifle across her lap with ripped pants and a snake at her feet. Clearly there are some heavy symbols at work here, and happiness is a warm gun, according to JL, but - what the hell??

The songs leave me equally non-plussed - maybe they are just sounds that match the rhythms (Neil Finn's modus operandi)? Probably not.  

The music? Well, I'm on shaky ground discussing music at the best of times. So, I can't comment on her musical prowess that much.

That leaves only my subjective opinions, I'm afraid. Generally, I enjoyed her expressive/emotional vocal style and her piano playing on solo sounding songs like Horses and Marianne. The early highlights for me were those two and Caught a Lite Sneeze.

Unfortunately, by the midpoint, it's a loooong album, my attention span drifted away each time somewhat, and all those slowish songs started morphing into each other until I came to, with the swinging In the Springtime of his Voodoo - my favourite song on the album. Dare I say it, it even sounds like fun.

That's my problem with the whole endeavour I think. There's not much to smile about here is there? Which I guess is fine, who am I to want to be entertained?

Ultimately, listening to the album felt like hard work without the empathetic payoff of understanding what she's on about.

This has been one of the hardest albums to listen to and sort out my feelings for. Which is why it's taken me so long to get my thoughts together. It's probably a great work of art and everyone loves it, but it just doesn't do it for me.

Thursday, June 25, 2026

The storm, it's coming.

Glen Hansard - Rhythm and Repose (2012) ***

Nominated by: GK

Music club: Wander to Wozza's

Playlist addition: Talking with the Wolves

GK is right - I'm a fan of GH. That comes on the back of my love for Once - both the film and the soundtrack, plus his on and off collaborations with Markéta Irglová in The Swell Season. Those albums and that Once soundtrack are my go to albums. I tend to find the solo Glen Hansard ones more problematic.

The cover art to R and R gives this first solo album away - pained and haunted for the most part.

Rhythm and Repose came after his breakup with Markéta Irglová. So, there's not a lot of up-beat joy on offer on the songs. 

I'm not averse to break-up albums - they can be cathartic experiences with visceral moments of angst along the way. I'm thinking of albums like Bon Iver's For Emma, Forever Ago, Here My Dear - Marvin Gaye, and Bob's Blood on the Tracks. Idiot Wind is a terrific song, but I bet Sara didn't enjoy it much.

Interestingly, GH covered similar break up ground on the Strict Joy album, under The Swell Season name. Of the two albums I prefer Strict Joy from 2009. The album's songs again reflect the breakup of Hansard and Irglová's relationship, while remaining in the same band, Fleetwood Mac style (as on another classic break up album - Rumours). Ironically, given the personal relationship situation, it has a warmer sound with a fuller band and some lovely pace changes, whereas R and R is just pretty bleak.  

I'd recommend that one over Rhythm and Respose, but I understand why GK likes the tone and pace of it. It's definitely more folky for a start.

Great selection Gregarious. Glen Hansard is a really talented guy, with a fascinating discography (and I haven't even mentioned his work in The Frames).

Thursday, June 4, 2026

Goodbye good fortune

Street Talk - Battleground of Fun  (1980) ****

Nominated by: KS

Music club: Wander to Wozza's

Playlist addition: Lonely at the Top

It's a curious thing - how listening to blues albums/songs/artists always cheers me up. What is that about? Here's my theory:

The blues is not about wallowing in misery and suffering! Oh No. It's about overcoming hurt, dealing with failures, moving on despite calamities and down times. It's about hope, belief that things will improve, faith in the process and it's about the human spirit and for some, a higher presence.

It's about the little guy at the bottom staring up to the top, saving goodbye to good fortune (for a while), getting blood out of a stone, living without a loved one, leaving town because the future looks bleak. Basically, and perversely, it's about a battleground of fun!

Street Talk suffered from being an early eighties band who struggled to replicate their high energy, blues based live approach in the studio. I can attest to the difference as I saw them a few times back in the day (and even one memorable gig where guitar hero Hammond Gamble was joined by Sam Hunt and Gary McCormick for an alcohol-soaked evening at the Govett Brewster in New Plymouth). They ripped it up live with Hammond Gamble playing the axe hero role brilliantly.

I first heard Street Talk on Radio Hauraki in the mid-seventies. Barry Jenkins, a.k.a. Dr Rock, played a recording of Hammond Gamble and the boys playing a wonderful live in Albert Park version of Crossroads. A new guitar hero had arrived.

Their first album was unduly influenced by their producer Kim Fowley, an American pop Svengali/legend. Their second is better, produced by fellow New Zealander - Bruce Lynch. While truer to their bluesy beginnings, it still didn't match the excitement of Street Talk live.

That said there are plenty of belters on this album and it's tough to choose one highlight from Leaving The Country, What Happened to Lucy, Lonely at the Top, Blood Out of a Stones, and Goodbye Good Fortune.

Note all of the songs are of that standard but there isn't a duff track either. Given it's 1980 Stuart Pearce employs some synths but I'd much prefer he stuck to piano/organ.

Great choice by KS. Brought a smile to my dial all week (and it was a tough week at Maple Grove with Jacky's horse having to be put down).