Wednesday, March 18, 2026

We made it

Six60 - Right Here Right Now (2026) ***,

Nominated by: KS

Music club: Wander to Wozza's

Playlist addition: We Made It

Six60 is a pop rock band from Aotearoa. They are a big deal in NZ with the younger crowd, plus Kevy and mos probs GK as well! Previously, I have had them pegged as a boy band but they are actually four musicians - Matiu Walters (lead vocals, guitar), Ji Fraser (lead guitar), Chris Mac (drums, bass guitar), and Marlon Gerbes (guitar, bass guitar, synths).

Matiu has a sweet R&B delivery that is a bit like Bruno Mars at times (opening track Don't Talk is a case in point). While I really like that opening song, overall, I tend to prefer the jazzier, more experimental style of Fat Freddy's Drop to the pop-oriented approach of Six60.

Six60's debut album is a pretty straight-forward pop/rock album. After that they embraced synth-pop and now they've changed tack completely.

They have definitely embraced reggae as a genre on Right Here Right Now and that gives a sameness to the songs. Depends on your p.o.v. whether that's a weakness or a strength. As I said, I prefer the more varied approach from similar Nu Zild bands like L.A.B, Fat Freddy's Drop, and Katchafire.

Highlights for me all come early - Don't Talk, We Are Kings and Hurricane would be the three standouts for me. Plus, Father's Eyes is catchy and deals with anger and violence (like Red Mist) but presents things as a cautionary tale which feels like an important message for the band's audience. 

The lowlights - Red Mist - I have a problem with a jaunty style being used to create a very mixed picture of domestic violence. The male character is almost presented in heroic terms before we get to the line about using his fists. I skipped this one each time. Same Dirt - the drum sound immediately turned me off, and I found the lyrics a little trite.  

A mixed bag for me then, but the positives outweigh the negative - hence the three stars/ pretty fine rating.

Sunday, March 15, 2026

The geese and the ghost

Anthony Phillips - The Geese and the Ghost (1977) ***

Nominated by: Tom Snr

Music club: MNAC

MNAC playlist addition:  Sleepfall: The Geese Fly West

I did a double take when Tom selected this album. It's quite unlike his usual fare - yes, he recently opted for a Mike Oldfield opus, but generally, I didn't have him pegged as a connoisseur of prog rock in general, and Genesis style prog rock in particular.

Anthony Phillips was once the lead guitarist in Genesis, albeit briefly. He left the band in 1970, after their Trespass album, to pursue a solo career.

After taking some time to improve his musicianship, The Geese and the Ghost was his first solo album in 1977. Apparently, it's pretty close to the sound Genesis were all about on Trespass (I have plenty of Genesis albums but not that one) and both Mike Rutherford and Phil Collins appear on the album. 

The Geese and the Ghost is a very arty album, and it sounds luvverly, but there's not a lot of substance to the material, I find. So, it floats on by effortlessly. Some will call it beguiling, but it doesn't really engage me especially - although I do have a copy on vinyl, and I do play it from time to time after a hard day at the brick factory.

Highlights for me are Sleepfall and God If I Saw Her Now.